Roberts, meanwhile – whose sparkling rapport with her co-star was a highlight of Steven Soderbergh's Ocean's films – seems more brittle than buoyant.
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The film's escapades – the parents stealing the wedding rings, CGI dolphins snapping at Clooney's crotch, a cursed temple – un-spool with all the effectiveness of a punchy trailer left to drag out in slow-motion, while the thawing relationship between the leads is strictly by the numbers, which wouldn't be an issue if there'd been a hint of chemistry on screen.īut as charming as they are, Clooney and Roberts can only do so much with a screenplay that boasts lines like "My hangover has a hangover," nor rescue a film that doesn't know how to tangle with their star personae in interesting ways.Ĭlooney has cultivated a more contemplative dramatic presence in recent work, but he feels rusty in the rhythms of comic banter here, his smugness on full display minus the charm. (Shout-out to Agung Pindha as Gede's dad, Wayan, landing some of the biggest laughs with some of the film's sketchiest material). Much like Sandra Bullock and Channing Tatum's adventure romp The Lost City, there's a vague sense of exoticism to the whole affair, with the locals mostly relegated to comic support, and some borderline racist gags about non-English languages being hard to understand and ancient customs being weird, or something.
Ticket to Paradise has its eyes firmly set on pleasing an undemanding audience who've aged with its leads, a crowd who're apparently just gagging for a joke about Clooney wearing yoga pants post-sex (not that there's any actual eroticism Doris Day and Rock Hudson were sexier 70 years ago). The thesis gets its biggest test this week with the return of two of the 90s' brightest luminaries, as George Clooney and Julia Roberts reunite for a rom-com that's out to rekindle some of their old magic.
This year we've seen Sandra Bullock and Channing Tatum and Brad Pitt drive modest, non-franchise star vehicles to unlikely box office success, their presence endearing otherwise mediocre films to audiences presumably longing for a return to adult movies in the age of Disney-Marvel dominance.Īnd then there's Tom Cruise, whose stardom – albeit tethered to the shiny fuselage of a legacy franchise – continues to defy Hollywood's laws of career gravity.
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Is the old-fashioned Hollywood movie star making a comeback?
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